Moral of the story is, never put the date on the front panel!!
There is now a fairly full write up with lots of pictures here: https://aidanrichardtaylor.wordpress.com/instruments/synthesizers-mfos-synth-diy-experimenter/
I have been fiddling with filter designs lately and ended up knocking together a pedal / standalone unit for a prototype/demo. It is pretty fun, but could use some tweaks:
Yeah the knock-off Hammond case is held together with tape, it is because it is a knock off and no fault of my own!! Since I took the photo I replaced the tape with tape of a better colour.
Currently the unit has the following specs:
- Sallen-and-Key topology design, low parts count and pretty good sound.
- 2-pole Low Pass Filter with nice gentle slope.
- Film capacitors for the RC section seemed to sound better, might have been my imagination!
- Vactrol based voltage control, pingable (is that a word?) and easy to connect external modulators
- Internal triangle wave modulation, 60 seconds to 1 second cycle time :)
- Runs on a pair of 9V batteries
- Filter Cut-off
- Filter Resonance
- LFO Rate
- LFO Depth
- External CV input
Here is a vid and sound clip playing with some other battery powered bits:
Yeah the vid could be better, but it definitely sounds great, I have been using it as part of an effects loop with my modular setup recently and it really delivers!!
Improvements I would like to make:
- Gain compensation for more resonance, at the moment it distorts before the Q gets to a nice whistle – I presume this is handled in other filters by adaptive gain compensation, but this is just a guess.
- I think a pre-gain control could be nice, would be good to be able to overdrive the filter a little. I don’t know if this would sound good yet, but I did notice that the filter behaves quite differently to different levels of input. Perhaps a pre and post gain control?
- HPF mode should be easy to implement also but needs a slightly complex switch.
- Some minor improvements for maximum LFO depth and filter frequency range would be good (and easy to implement).
I will be making a short pre-recorded appearance on BBC Radio Wales tonight at 6pm as part of Adam Walton’s show “Science Cafe”. I am talking briefly towards the end on analogue synthesizers in the contemporary digital world and a little on my compositional approach involving Chaos Theory.
The show is also featuring some discussion on the Ambisonic sound system at USW City Campus from Tim Land and its creator Simon Edmonds. Matthew Jackson is also making an appearance talking about a fully featured digital synthesizer he has been designing as a commercial product, building upon open-source technologies.
I recently won a second hand case in a online competition hosted by Muffwiggler forum. The case was previously owned by forum member Strettara, he posted it to me from Italy. Oddly enough, he used to live in Newport where I live now and the case was exactly what I needed, portable and exactly the same slightly odd size as my previous case.
Yesterday I got to work making some minor structural improvements and transplanting the sketchy linear power supply over from my old modular setup – it was a tight fit but fit it did! Not without the usual blood, sweat and tears hands on DIY usually bears for me of course. Here are some pictures of the ordeal, the patient has made a remarkable recovery from the surgery, some would say miraculous!: (left click to enlarge)
And of course a short video:
Last night we played at Spit and Sawdust as part of a night called VideoFuck 2000: CGI Fridays. Spit and Sawdust is a cosy venue literally bolted onto the side of a wooden indoor skate park. Here is a video of our performance: